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Let’s take a look at core elements of the ACES workflow in-depth: What is IDT?ĪCES works in what is called a scene-referred linear space. Thanks to the expanded colour space, calculations made in ACES make use of more colors that are out of reach from the standard sRGB color space.īut, the question remains, How Does the ACES Pipeline Work? This mimics the way that light behaves in the real world, allowing editors to make predictable adjustments to their images. Linear workflows process light linearly, without gamma-correction interfering with the colour information. With ACES, it is possible to avoid overexposed areas in an image, especially where any intense sources of light are visible, such as the sun, explosions and muzzle flashes.
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It does so by offering the following features: Expanded Colour SpaceĪCES offers a wider colour landscape as compared to the standard sRGB making renders seem more photorealistic than what we may see on TV or on computer screens usually. Instead, it is a workflow that can improve our renders.
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The ACES Workflow – Easy ExplanationĪCES isn’t a program or a plugin that you can download and use.
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These three features are what makes media processed using the ACES workflow suitable for professional use. What is ACES?ĪCES is a device-independent image interchange and colour management system that aims to standardise the various colour spaces between different input sources.ĪCES is mainly composed of three main features: Now that we know the root problem that ACES aims to solve, let’s go through what ACES is once again. This is the exact problem that ACES aims to solve. Because of this, a lot of time – and resources – is spent to ensure that all input sources are in line with each other before any colour correction work can even begin. have their uniquely patented colour spaces. For example, if you rendered footage on film with a wider film gamut, it will automatically look a lot more dull on a monitor that has a smaller colour gamut.Īs you can probably imagine, this causes a lot of problems in post since there are various input sources depending on the kind of camera used – since every camera, such as RED, IMAX etc. What is the Purpose of ACES in Post-Production?Įvery device has a different colour gamut. The problem? sRGB is not the best for post-production, VFX and 3D rendering – especially when audiences now have higher expectations of the quality of colors. Older TVs and films were limited in their ability to display a wider range of colours – hence the industry standard sRGB that we know and witness everywhere today. In this analogy, the canvas of potential colors ACES can contain is much larger. The bigger the canvas, the more possibility and freedom there is to extend colours. This leads us to the question, Is ACES better than sRGB?ĪCES has a wider colour gamut. Because of this factor, the colour space may vary depending on the device you are viewing it on. This basically refers to the range of colours that any device can display or produce. When talking about the colour space, you may also come across the word, colour gamut.
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sRGB is a smaller colour space and does not contain the full range of colors that is perceivable by the human eye. However, the industry standard – ever since the introduction of coloured television – has long been stuck on the sRGB colour space.
The horseshoe graph represents all the colours that are perceived by the human eye.
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